![](https://quadriennalediroma.org/wp-content/uploads/2024/04/1_VETTESE-qai9.jpg)
Building Consensus. A Brief History of Forced Corporatism
What is art criticism, what is it for, what are its methods, what potential does it have, and why is
What is art criticism, what is it for, what are its methods, what potential does it have, and why is
Does art criticism still exist? In what settings does it express itself? What is art criticism today? What are its
Andrea Cortellessa: It is striking that Artribune declared your Storie dell’arte contemporanea (jointlywith a text by Marco Mancuso) the ‘best
Nel suo articolo intitolato Come siamo silenziosi sullo stato dell’arte[1], Gian Maria Tosatti denuncia la scarsa produzione di testi critici
In an article published in a Sunday edition of Il Sole 24 Ore last September, Gian Maria Tosatti questioned, among
In his day, Renato Guttuso was known (and recognised) even by blue-collar workers. But who among the public totally detached
La pedagogia come parte del processo di ideazione, creazione e formalizzazione del progetto, si ritrova oggi in numerose opere di
In alphabetical order: Giovanni Anselmo, Stefano Arienti, Gianfranco Baruchello, Jacopo Benassi, Alighiero Boetti, Alberto Burri, Maurizio Cattelan, Giuseppe Chiari, Enzo
When we talk about the education system, we have to get to grips with a very broad theme which allows
«Knowing how to be and remain pupils is no small thing — it means almost already being a teacher»Claudio Magris
Villa Carpegna 00165 Rome
monday-thursday
9.10-13.30/14.30-17.30
friday
9.10-13-30/14.30-17.00
Regione Lazio
© Fondazione La Quadriennale di Roma - All rights reserved
note legali