quaderni_arte_italiana

In Germania anno zero (1948), il piccolo Edmund Koehler, cammina come un cane randagio, per le strade di una Berlino

“La beauté est dans la rue” — so reads the slogan on a famous poster produced during May 1968 in

What Happened to Art Criticism? This question was the title of a 2003 pamphletby James Elkins,[1] which has lost none

In his 1922 canvas Au rendez-vous des amis, Max Ernst records the lively cultural ferment that accompanied the theorisation of

Over the last few decades, a number of economic, social and cultural phenomena have challenged the power of criticism, from

Nicolas Ballario: It seems that between being and not being, Italy as a country prefers to be a has-been. Are

‘Fools lament the decay of criticism.For its day is long past.Criticism is a matter of correct distancing.It was at home

Magazines are doubtless born of a critical impulse. But we need to understand what is meant by criticism. First of

«The art critic is an endangered species»[1]Hal Foster In recent years, the marginalisation of the role of art criticism has

In 2002, October — the magazine founded by Rosalind Krauss and Annette Michelson in the mid-1970s with the stated intention