![](https://quadriennalediroma.org/wp-content/uploads/2023/12/1_DiPietrantonio_slider.jpg)
The “Neodimension” as a Participatory Space. Behind the Work of Giuseppe Stampone
Giuseppe Stampone is best-known for his figurative works with a ballpoint pen, in which he mixes and reworks images from
Giuseppe Stampone is best-known for his figurative works with a ballpoint pen, in which he mixes and reworks images from
Collaboration, authorship, mediation, collective imaginary, context and monumentality: these are all terms we often use when we talk about art
The poetics of Lara Favaretto (born in Treviso in 1973) have built an extensive relationship with the theme of the
“Unfinished” can mean many things. It can refer to a project that has been abandoned, which will never see its
Public space is a constant in Gian Maria Tosatti’s work. Cities, neighbourhoods, sometimes entire towns, are horizons for the incubation
Minhocão — the “big worm” — is an elevated highway that penetrates and crosses the entire central area of São
The streets are those of Naples’s hinterland: in 2000, Eugenio Tibaldi made this a life choice, taking it for “the
Giorgio Andreotta Calò’s work is characterised by certain recurrent themes which are recomposed in different ways, in accordance with complex
Core to Margherita Moscardini’s artistic research is the critique of the urban processes typical of the contemporary neoliberal city. The
Gigantic, neoclassical statues loom over London’s cityscape in 2099. Archaic angels, fractured ruins, historical and mythical gods, and heroes comprise
Villa Carpegna 00165 Rome
monday-thursday
9.10-13.30/14.30-17.30
friday
9.10-13-30/14.30-17.00
Regione Lazio
© Fondazione La Quadriennale di Roma - All rights reserved
note legali