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Italy, Year Zero. The Street as an Essential Driver of a Generation
In Germania anno zero (1948), il piccolo Edmund Koehler, cammina come un cane randagio, per le strade di una Berlino
In Germania anno zero (1948), il piccolo Edmund Koehler, cammina come un cane randagio, per le strade di una Berlino
“La beauté est dans la rue” — so reads the slogan on a famous poster produced during May 1968 in
What Happened to Art Criticism? This question was the title of a 2003 pamphletby James Elkins,[1] which has lost none
In his 1922 canvas Au rendez-vous des amis, Max Ernst records the lively cultural ferment that accompanied the theorisation of
Over the last few decades, a number of economic, social and cultural phenomena have challenged the power of criticism, from
Nicolas Ballario: It seems that between being and not being, Italy as a country prefers to be a has-been. Are
‘Fools lament the decay of criticism.For its day is long past.Criticism is a matter of correct distancing.It was at home
Magazines are doubtless born of a critical impulse. But we need to understand what is meant by criticism. First of
«The art critic is an endangered species»[1]Hal Foster In recent years, the marginalisation of the role of art criticism has
In 2002, October — the magazine founded by Rosalind Krauss and Annette Michelson in the mid-1970s with the stated intention
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