quaderni_arte_italiana

Participatory Processes, between Urban Space and Relational Practices

Motus’s Euripides as a disturbing thorn in the side of the present

A Journey to the World’s Most Popular Art Exhibition

Three authors in comparison: Thomas Hirschhorn, Teresa Margolles and Andrea Mastrovito

A journey into the deep roots of popular culture

Beyond the artist, towards the artist

A Path of Thought, Through the Dimensions of the Contemporary

A Cultural Alternative to Populism

Christian Symbolism in Contemporary Italian Art

The First Two Decades of Twenty-First Century Italian Art