{"id":36641,"date":"2024-01-25T12:15:51","date_gmt":"2024-01-25T11:15:51","guid":{"rendered":"https:\/\/quadriennalediroma.org\/davide-sgambaro\/"},"modified":"2025-02-12T12:35:40","modified_gmt":"2025-02-12T11:35:40","slug":"davide-sgambaro","status":"publish","type":"post","link":"https:\/\/quadriennalediroma.org\/en\/davide-sgambaro\/","title":{"rendered":"Portfolio\/Davide Sgambaro"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">The sixsteenth exhibition of <em>Portfolio<\/em>,\u00a0(<strong>26 January to 18 Febrary 2024<\/strong>), is dedicated to <strong>Davide Sgambaro \u00a0(Cittadella, 1989).\u00a0<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Incorporating various elements of both online and offline popular culture, his research interprets a generation\u2019s feelings of weariness, frustration and inadequacy. Through playful, apparently pointless gestures with a self-mocking tone, the artist unleashes small acts of rebellion against the cult of performativity.<br>The contrast between playful appearance and dramatic subtext, a constant in <strong>Davide Sgambaro<\/strong>\u2019s practice, is central <em>in I Push a Finger into My Eyes<\/em> (Kick, Kiss, Kick). This title refers to a communication tactic peculiar to the world of work, in which bad news is mitigated by the extensive use of compliments. The glass case that constitutes the work protects a firework that has, however, already exploded. In this melancholic atmosphere, which evokes a party that has finished or a missed opportunity, there lingers the memory of an already concluded and irretrievable event. To consult his portfolio<a href=\"https:\/\/quadriennalediroma.org\/wp-content\/uploads\/2024\/01\/Q_Portfolio_DavideSgambaro.pdf\"> <strong>read here.<\/strong><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Portfolio<\/em> is one of the two exhibition cycles of the program <em>Quotidiana<\/em> at the Museo di Roma- Palazzo Braschi conceived and produced by La Quadriennale di Roma in collaboration with City of Rome, Department of Culture \u2013 Superintendency for Cultural Heritage. Its aim is to explore a number of significant trends in 21st-century Italian art. <br>Once a month, an artist under the age of 35 are presented in the exhibition with a single work. T Their research is narrated in a portfolio developed by Gaia Bob\u00f2, curator of La Quadriennale.<\/p>\n\n\n\n<div style=\"height:6px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The exhibition venue is the<\/strong> <a href=\"https:\/\/www.museodiroma.it\/\"><strong>Museo di Roma-Palazzo Braschi<\/strong><\/a> <strong>(Piazza di San Pantaleo, 10\/Piazza Navona, 2). The admission is free without reservation. Opening hours: from Tuesday to Sunday 10.00 &#8211; 19.00<\/strong><br><br><\/p>\n\n\n\n<div style=\"height:6px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The sixsteenth exhibition of Portfolio,\u00a0(26 January to 18 Febrary 2024), is dedicated to Davide Sgambaro \u00a0(Cittadella, 1989).\u00a0 Incorporating various elements of both online and offline popular culture, his research interprets a generation\u2019s feelings of weariness, frustration and inadequacy. Through playful, apparently pointless gestures with a self-mocking tone, the artist unleashes small acts of rebellion against [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":36632,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[349],"tags":[416,304],"class_list":["post-36641","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portfolio-en","tag-2024-en","tag-esposizioni-en"],"_links":{"self":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/36641","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/comments?post=36641"}],"version-history":[{"count":0,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/36641\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media\/36632"}],"wp:attachment":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media?parent=36641"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/categories?post=36641"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/tags?post=36641"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}