{"id":34748,"date":"2023-09-22T11:36:21","date_gmt":"2023-09-22T09:36:21","guid":{"rendered":"https:\/\/quadriennalediroma.org\/?p=34748"},"modified":"2025-02-18T13:04:14","modified_gmt":"2025-02-18T12:04:14","slug":"paesaggio-roberto-pugliese-e-quayola","status":"publish","type":"post","link":"https:\/\/quadriennalediroma.org\/en\/paesaggio-roberto-pugliese-e-quayola\/","title":{"rendered":"Paesaggio\/Roberto Pugliese and Quayola"},"content":{"rendered":"<p style=\"background: white;\"><span style=\"font-family: 'Arial',sans-serif; color: black;\">The seventh exhibition of\u00a0<em style=\"box-sizing: border-box;\"><span style=\"font-family: 'Arial',sans-serif;\">Paesaggio<\/span><\/em>, (<strong>23 September &#8211; 19 November 2023<\/strong>), is dedicated to\u00a0<strong style=\"box-sizing: border-box;\"><span style=\"font-family: 'Arial',sans-serif;\">Roberto Pugliese<\/span><\/strong>\u00a0(Naples, 1982) and\u00a0<strong style=\"box-sizing: border-box;\"><span style=\"font-family: 'Arial',sans-serif;\">Quayola<\/span><\/strong>\u00a0(Rome, 1982) and it is introduced by an essay by\u00a0<strong style=\"box-sizing: border-box;\"><span style=\"font-family: 'Arial',sans-serif;\">Valentino Catrical\u00e0,\u00a0<\/span><\/strong>in which analyses an approach shared by several Italian artists who look at technology not as a tool strictly linked to technical progress, but rather as a device for establishing a deeper relationship with the elements of their own \u201cprimitive\u201d being. In particular, the artists question their own relationship with nature and the need to reconnect with an original animality, at the same time as they research the possibilities that new technologies offer in this sense. The essay can be read by\u00a0<a href=\"https:\/\/quadriennalediroma.org\/wp-content\/uploads\/2023\/09\/Q_Pesaggio_ValentinoCatricala.pdf\"><strong style=\"box-sizing: border-box;\"><span style=\"font-family: 'Arial',sans-serif; color: black; text-decoration: none; text-underline: none;\">clicking here.<\/span><\/strong><\/a><\/span><\/p>\n<p>In <em>Concerto per natura morta variante<\/em> (2022), <strong>Roberto Pugliese <\/strong>riesce a far \u201csuonare\u201d dei tronchi di alberi morti attraverso un sistema di trasmissione sonora, invitandoci a ristabilire una connessione emotiva con un sistema naturale in crisi.<\/p>\n<p style=\"background: white;\"><span style=\"font-family: 'Arial',sans-serif; color: black;\">In <i>Concerto per natura morta variante<\/i> (2022), <b>Roberto Pugliese<\/b> manages to make dead tree trunks \u201cplay like instruments\u201d through a sound transmission system, inviting us to establish an emotional connection with a natural system in crisis.<\/span><\/p>\n<p style=\"background: white;\"><b><span style=\"font-family: 'Arial',sans-serif; color: black;\">Quayola<\/span><\/b><span style=\"font-family: 'Arial',sans-serif; color: black;\">\u2019s video, which is part of the <i>Pointillisme: Provence series<\/i> (2023), tells of technology\u2019s failed attempt to fully capture the unpredictability of nature\u2019s transformations. Indeed, high-resolution scans fail to record the details of trees moved by the wind, which instead end up looking more like pointillist paintings in the course of being made.<\/span><\/p>\n<p style=\"background: white;\"><em><span style=\"font-family: 'Arial',sans-serif; color: black;\">Paesaggio\u00a0<\/span><\/em><span style=\"font-family: 'Arial',sans-serif; color: black;\">is one of the two exhibition cycles of the program Q<em style=\"box-sizing: border-box;\"><span style=\"font-family: 'Arial',sans-serif;\">uotidiana\u00a0<\/span><\/em>at the Museo di Roma \u2013 Palazzo Braschi conceived and produced by La Quadriennale di Roma in collaboration with Roma Culture, Rome\u2019s Superintendency for Cultural Heritage. Its aim is to explore a number of significant trends in 21st-century Italian art.<\/span><\/p>\n<p style=\"background: white;\"><span style=\"font-family: 'Arial',sans-serif; color: black;\">Every two months, six curators (three Italian and three foreign) reflect on artistic trajectories of particular interest through a critical text and an exhibition of a few essential works.<\/span><\/p>\n<p><strong>The exhibition venue is the\u00a0Museo di Roma-Palazzo Braschi (Piazza di <a href=\"https:\/\/www.museodiroma.it\/\">San Pantaleo<\/a>, 10\/Piazza Navona, 2). The admission is free without reservation. Opening hours: from Tuesday to Sunday 10.00 &#8211; 19.00 <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The seventh exhibition of\u00a0Paesaggio, (23 September &#8211; 19 November 2023), is dedicated to\u00a0Roberto Pugliese\u00a0(Naples, 1982) and\u00a0Quayola\u00a0(Rome, 1982) and it is introduced by an essay by\u00a0Valentino Catrical\u00e0,\u00a0in which analyses an approach shared by several Italian artists who look at technology not as a tool strictly linked to technical progress, but rather as a device for establishing [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":34740,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[354],"tags":[415,304],"class_list":["post-34748","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-paesaggio-en","tag-2023-en","tag-esposizioni-en"],"_links":{"self":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/34748","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/comments?post=34748"}],"version-history":[{"count":0,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/34748\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media\/34740"}],"wp:attachment":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media?parent=34748"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/categories?post=34748"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/tags?post=34748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}