{"id":34024,"date":"2023-07-06T10:35:24","date_gmt":"2023-07-06T08:35:24","guid":{"rendered":"https:\/\/quadriennalediroma.org\/?p=34024"},"modified":"2025-02-18T13:20:20","modified_gmt":"2025-02-18T12:20:20","slug":"portfolio-lucia-cristiani","status":"publish","type":"post","link":"https:\/\/quadriennalediroma.org\/en\/portfolio-lucia-cristiani\/","title":{"rendered":"Portfolio\/Lucia Cristiani"},"content":{"rendered":"<p>The eleventh exhibition of\u00a0<em>Portfolio<\/em>\u00a0(7 July \u2013 3 September 2023) is dedicated to\u00a0<strong>Lucia Cristiani\u00a0<\/strong>(Milan, 1991).\u00a0In her research, the landscape is investigated as a place in which identities are cross-fertilised, as an open system where different cultures meet to imagine a possible coexistence. To consult her portfolio, <strong><a href=\"https:\/\/quadriennalediroma.org\/wp-content\/uploads\/2023\/07\/Q_Portfolio_LuciaCristiani.pdf\">read here<\/a>.<\/strong><\/p>\n<p>The work<em> Maida<\/em> (2022) consists of a series of galvanisations of wildflowers in silver, in which the roots intertwine until they create an impossible graft. The varieties of flowers are not connected by affinities of species or geographic \u2013 and yet, in the imagined scene conveyed by the artist,\u00a0 they establish a symbiosis, thus outlining a new hybrid organism. The fragility of this graft contrasts with the hardness of the tapestry and metal filaments, which would appear to be an inhospitable setting for the creation of new relationship. Yet, this repelling ecosystem seems to induce the organisms to seek new possibilities for survival through a principle of solidarity.<\/p>\n<p><em>Portfolio\u00a0<\/em> is one of the two exhibition cycles of the program\u00a0<em>Quotidiana<\/em>\u00a0at the Museo di Roma &#8211; Palazzo Braschi conceived and produced by La Quadriennale di Roma in collaboration with Roma Culture, Rome\u2019s Superintendency for Cultural Heritage. Its aim is to explore a number of significant trends in 21st-century Italian art.<br \/>\nOnce a month, eleven artists under the age of 35 are presented in the exhibition with a single work. Their research is narrated in a portfolio developed by the Curator-in-residence at La Quadriennale.<\/p>\n<p><strong style=\"font-size: revert; color: initial;\">The exhibition venue is the<\/strong> <a style=\"font-size: revert;\" href=\"https:\/\/www.museodiroma.it\/\"><strong>Museo di Roma-Palazzo Braschi<\/strong><\/a> <strong style=\"font-size: revert; color: initial;\">(Piazza di San Pantaleo, 10\/Piazza Navona, 2). The admission is free without reservation. Opening hours: from Tuesday to Sunday 10.00 &#8211; 19.00<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The eleventh exhibition of\u00a0Portfolio\u00a0(7 July \u2013 3 September 2023) is dedicated to\u00a0Lucia Cristiani\u00a0(Milan, 1991).\u00a0In her research, the landscape is investigated as a place in which identities are cross-fertilised, as an open system where different cultures meet to imagine a possible coexistence. To consult her portfolio, read here. The work Maida (2022) consists of a series [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":34038,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[349],"tags":[415,304],"class_list":["post-34024","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portfolio-en","tag-2023-en","tag-esposizioni-en"],"_links":{"self":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/34024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/comments?post=34024"}],"version-history":[{"count":0,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/34024\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media\/34038"}],"wp:attachment":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media?parent=34024"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/categories?post=34024"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/tags?post=34024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}