{"id":34022,"date":"2023-07-06T09:55:53","date_gmt":"2023-07-06T07:55:53","guid":{"rendered":"https:\/\/quadriennalediroma.org\/?p=34022"},"modified":"2025-02-18T13:17:52","modified_gmt":"2025-02-18T12:17:52","slug":"paesaggio-luca-vitone-and-donato-piccolo","status":"publish","type":"post","link":"https:\/\/quadriennalediroma.org\/en\/paesaggio-luca-vitone-and-donato-piccolo\/","title":{"rendered":"Paesaggio\/Luca Vitone and Donato Piccolo"},"content":{"rendered":"<p>The sixth exhibition of\u00a0<em>Paesaggio<\/em>, from 7 July March to 3 September 2023, is dedicated to <strong>Luca Vitone<\/strong> (Genoa, 1964) and <strong>Donato Piccolo<\/strong> (Rome, 1976) and it is introduced by an essay by\u00a0<strong>Gaia Bob\u00f2, <\/strong>the Curator-in-residence at La Quadriennale in which she \u00a0analyzes the work of some Italian artists whose work establishes a balance between individual fragility and that particular instability that is reflected in the processes of erosion of the landscape, understood as a set of anthropic and natural elements. The concept of auto-destruction or the human tendency to annihilation becomes a possible key for grasping the spirit of the processes of disintegration that affect our everyday life. The essay can be read by <a href=\"https:\/\/quadriennalediroma.org\/wp-content\/uploads\/2023\/07\/Q_Paesaggio_GaiaBobo.pdf\"><strong>clicking here.<\/strong><\/a><\/p>\n<p><em>Io, Villa Adriana<\/em> (2018 &#8211; 2021) is a pictorial cycle by <strong>Luca Vitone<\/strong> that exploits the action of atmospheric agents on the canvas. This\u00a0 creates a remarkable self-portrait of the place, in which the disintegration of natural elements, as of those belonging to our cultural history, seems to be subject to a universal principle of entropy.<\/p>\n<p>In <em>Il sogno di Turner<\/em> (2012), <strong>Donato Piccolo<\/strong> artificially reproduces a hurricane by making it a sculptural object. He invites the visitor to establish an empathic relationship with a meteorological phenomenon that becomes a mirror of a condition of crisis.<\/p>\n<p><em>Paesaggio <\/em>is one of the two exhibition cycles of the program Q<em>uotidiana <\/em>at the Museo di Roma &#8211; Palazzo Braschi conceived and produced by La Quadriennale di Roma in collaboration with Roma Culture, Rome\u2019s Superintendency for Cultural Heritage. Its aim is to explore a number of significant trends in 21st-century Italian art.<\/p>\n<p>Every two months, six curators (three Italian and three foreign) reflect on artistic trajectories of particular interest through a critical text and an exhibition of a few essential works.<\/p>\n<p><strong>The exhibition venue is the<\/strong> <span style=\"color: #000000;\"><strong>Museo di <a href=\"https:\/\/www.museodiroma.it\/\"><span style=\"color: #000000;\">Roma-Palazzo Braschi<\/span><\/a><\/strong><\/span> <strong>(Piazza di San Pantaleo, 10\/Piazza Navona, 2). The admission is free without reservation. Opening hours: from Tuesday to Sunday 10.00 &#8211; 19.00<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The sixth exhibition of\u00a0Paesaggio, from 7 July March to 3 September 2023, is dedicated to Luca Vitone (Genoa, 1964) and Donato Piccolo (Rome, 1976) and it is introduced by an essay by\u00a0Gaia Bob\u00f2, the Curator-in-residence at La Quadriennale in which she \u00a0analyzes the work of some Italian artists whose work establishes a balance between individual [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":34043,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[354],"tags":[415,304],"class_list":["post-34022","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-paesaggio-en","tag-2023-en","tag-esposizioni-en"],"_links":{"self":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/34022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/comments?post=34022"}],"version-history":[{"count":0,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/34022\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media\/34043"}],"wp:attachment":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media?parent=34022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/categories?post=34022"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/tags?post=34022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}