{"id":29331,"date":"2022-11-18T09:35:11","date_gmt":"2022-11-18T08:35:11","guid":{"rendered":"https:\/\/quadriennalediroma.org\/?p=29331"},"modified":"2025-02-19T11:17:06","modified_gmt":"2025-02-19T10:17:06","slug":"paesaggio-alessandro-biggio-e-antonio-fiorentino","status":"publish","type":"post","link":"https:\/\/quadriennalediroma.org\/en\/paesaggio-alessandro-biggio-e-antonio-fiorentino\/","title":{"rendered":"Paesaggio\/Alessandro Biggio e Antonio Fiorentino"},"content":{"rendered":"<p>The second exhibition of\u00a0<em>Paesaggio<\/em>, from 19 November to 12 January 2023, is dedicated to\u00a0<strong>Alessandro Biggio<\/strong> (Cagliari, 1974) and <strong>Antonio Fiorentino<\/strong> (Barletta, 1987).<\/p>\n<p>The exhibition stems from a reflection by curator <strong>Alessandra Troncone<\/strong> on a trend in 21 st century ltalian sculpture: some works take on forms similar to those of archaeological finds whose features, instead of referring to a known past, seem to be projected towards a possible future. A sense of &#8216;end of the future&#8217; is common to many artists and is conscious\/y or unconsciously expressed in their projects. lt is deeply rooted in today&#8217;s society, in its sense of precariousness.<\/p>\n<p>The artistic research of <strong>Alessandro Biggio<\/strong> and <strong>Antonio Fiorentino<\/strong> examined in the curator&#8217;s criticai essay focuses on the processes of transformation of matter and cultura\/ meanings through time. The essay can be read by <a href=\"https:\/\/quadriennalediroma.org\/wp-content\/uploads\/2022\/11\/Q_PAESAGGIO_AlessandraTroncone.pdf\"><strong>clicking here.<\/strong><\/a><\/p>\n<p>In Antonio Fiorentino&#8217;s <strong><em>Hermetica Hesperimenta<\/em><\/strong> (2018), on display in the exhibition, shelves to stare archaeological finds house a series of unfinished works, as if they tao were re\/ics, while the debris on the floor refers to objects that have been destroyed and whose memory has been fast.<\/p>\n<p>Alessandro Biggio, on the other hand, presents <strong><em>C\u00e1mua <\/em><\/strong>(2021), a sculpture made with a cast of the inside of a rotten trunk, a round which a rape is woven, washed in a mixture of water and ash, which is used as a symbolic materiai to evoke the disintegration of the body This work becomes a piace where knowledge of the temporality and rhythm of nature intersects with that of cultura\/ traditions, such as the cordula weaving technique used to create the sculpture.<\/p>\n<p><em>Paesaggio<\/em> is one of the two exhibition cycles of the program <em>Quotidiana<\/em> at the Museo di Roma- Palazzo Braschi conceived and produced by La Quadriennale di Roma in collaboration with Roma Culture, Rome\u2019s Superintendency for Cultural Heritage. Its aim is to explore a number of significant trends in 21st-century Italian art.<\/p>\n<p>Every two months, six curators (three Italian and three foreign) reflect on artistic trajectories of particular interest through a critical text and an exhibition of a few essential works.<\/p>\n<p><strong style=\"font-size: revert; color: initial;\"><strong>The exhibition venue is the <\/strong> <a href=\"https:\/\/www.museodiroma.it\/\">Museo di Roma-Palazzo Braschi <\/a>(Piazza di San Pantaleo, 10\/Piazza Navona, 2). A<\/strong><strong>dmission free without reservation. Opening hours: from Tuesday to Sunday 10.00 \u2013 19.00<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The second exhibition of\u00a0Paesaggio, from 19 November to 12 January 2023, is dedicated to\u00a0Alessandro Biggio (Cagliari, 1974) and Antonio Fiorentino (Barletta, 1987). The exhibition stems from a reflection by curator Alessandra Troncone on a trend in 21 st century ltalian sculpture: some works take on forms similar to those of archaeological finds whose features, instead [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":29359,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[354],"tags":[417,304],"class_list":["post-29331","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-paesaggio-en","tag-2022-en","tag-esposizioni-en"],"_links":{"self":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/29331","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/comments?post=29331"}],"version-history":[{"count":0,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/29331\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media\/29359"}],"wp:attachment":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media?parent=29331"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/categories?post=29331"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/tags?post=29331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}