{"id":24097,"date":"2022-03-31T12:06:43","date_gmt":"2022-03-31T10:06:43","guid":{"rendered":"https:\/\/quadriennalediroma.org\/lorenza-trucchi-1949-1995-collection\/"},"modified":"2022-03-31T12:06:44","modified_gmt":"2022-03-31T10:06:44","slug":"lorenza-trucchi-1949-1995-collection","status":"publish","type":"post","link":"https:\/\/quadriennalediroma.org\/en\/lorenza-trucchi-1949-1995-collection\/","title":{"rendered":"Lorenza Trucchi 1949-1995 collection"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">A collection of around one thousand five hundred articles written by the art critic for newspapers and periodicals. A record of Italian art through reviews of monographic exhibitions and major events. The publications include: &#8220;Il Momento&#8221;, &#8220;Qui Arte Contemporanea&#8221;, &#8220;La Fiera Letteraria&#8221;, &#8220;Il Corriere della Sera&#8221;, &#8220;Momento-sera&#8221;, &#8220;Il Giornale Nuovo&#8221;, &#8220;La Voce&#8221; and &#8220;L\u2019Europa letteraria&#8221;.  <\/p>\n\n<p class=\"wp-block-paragraph\">AVAILABLE ONLINE<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A collection of around one thousand five hundred articles written by the art critic for newspapers and periodicals. A record of Italian art through reviews of monographic exhibitions and major events. The publications include: &#8220;Il Momento&#8221;, &#8220;Qui Arte Contemporanea&#8221;, &#8220;La Fiera Letteraria&#8221;, &#8220;Il Corriere della Sera&#8221;, &#8220;Momento-sera&#8221;, &#8220;Il Giornale Nuovo&#8221;, &#8220;La Voce&#8221; and &#8220;L\u2019Europa letteraria&#8221;. [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":25547,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[292],"tags":[],"class_list":["post-24097","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archivio_fondi-en"],"_links":{"self":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/24097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/comments?post=24097"}],"version-history":[{"count":0,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/24097\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media\/25547"}],"wp:attachment":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media?parent=24097"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/categories?post=24097"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/tags?post=24097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}