{"id":24095,"date":"2022-03-31T12:04:48","date_gmt":"2022-03-31T10:04:48","guid":{"rendered":"https:\/\/quadriennalediroma.org\/antonello-trombadori-1921-1993-collection\/"},"modified":"2022-03-31T12:04:49","modified_gmt":"2022-03-31T10:04:49","slug":"antonello-trombadori-1921-1993-collection","status":"publish","type":"post","link":"https:\/\/quadriennalediroma.org\/en\/antonello-trombadori-1921-1993-collection\/","title":{"rendered":"Antonello Trombadori 1921-1993 collection"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">This collection reflects the various fields of activity of Antonello Trombadori (1917\u20131993). Letters, writings, records, notes, files of documents, printed material and photographs, particularly works of art. His correspondents included: Morandi, Arcangeli, Fellini, Pasolini, Volponi and Berlinguer.  <\/p>\n\n<p class=\"wp-block-paragraph\">AVAILABLE ONLINE<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This collection reflects the various fields of activity of Antonello Trombadori (1917\u20131993). Letters, writings, records, notes, files of documents, printed material and photographs, particularly works of art. His correspondents included: Morandi, Arcangeli, Fellini, Pasolini, Volponi and Berlinguer. AVAILABLE ONLINE<\/p>\n","protected":false},"author":5,"featured_media":25164,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[292],"tags":[],"class_list":["post-24095","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archivio_fondi-en"],"_links":{"self":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/24095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/comments?post=24095"}],"version-history":[{"count":0,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/24095\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media\/25164"}],"wp:attachment":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media?parent=24095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/categories?post=24095"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/tags?post=24095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}