{"id":24083,"date":"2022-03-31T11:57:13","date_gmt":"2022-03-31T09:57:13","guid":{"rendered":"https:\/\/quadriennalediroma.org\/ercole-drei-1908-1973-collection\/"},"modified":"2022-03-31T11:57:13","modified_gmt":"2022-03-31T09:57:13","slug":"ercole-drei-1908-1973-collection","status":"publish","type":"post","link":"https:\/\/quadriennalediroma.org\/en\/ercole-drei-1908-1973-collection\/","title":{"rendered":"Ercole Drei 1908-1973 collection"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">The activity of Ercole Drei (1886\u20131973), a painter and sculptor, from his early training to his Roman period at Villa Strohl-Fern, with extensive documentation of his monumental works. The collection comprises photographs, flyers, posters, leaflets, invitations and, to a lesser extent, correspondence and writings. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>The activity of Ercole Drei (1886\u20131973), a painter and sculptor, from his early training to his Roman period at Villa Strohl-Fern, with extensive documentation of his monumental works. The collection comprises photographs, flyers, posters, leaflets, invitations and, to a lesser extent, correspondence and writings.<\/p>\n","protected":false},"author":5,"featured_media":25179,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[292],"tags":[],"class_list":["post-24083","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archivio_fondi-en"],"_links":{"self":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/24083","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/comments?post=24083"}],"version-history":[{"count":0,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/24083\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media\/25179"}],"wp:attachment":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media?parent=24083"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/categories?post=24083"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/tags?post=24083"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}