{"id":24081,"date":"2022-03-31T11:56:09","date_gmt":"2022-03-31T09:56:09","guid":{"rendered":"https:\/\/quadriennalediroma.org\/libero-de-libero-1930-1980-collection\/"},"modified":"2022-03-31T11:56:10","modified_gmt":"2022-03-31T09:56:10","slug":"libero-de-libero-1930-1980-collection","status":"publish","type":"post","link":"https:\/\/quadriennalediroma.org\/en\/libero-de-libero-1930-1980-collection\/","title":{"rendered":"Libero de Libero 1930-1980 collection"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Primarily comprised of the epistles of Libero de Libero (1903\u20131981), a poet, art critic and scholar, whose correspondents included: Pecci Blunt, Brandi, Colla, Montale and Quasimodo. The collection also contains photographs, files on publishing projects, writings in his own hand and printed material.  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Primarily comprised of the epistles of Libero de Libero (1903\u20131981), a poet, art critic and scholar, whose correspondents included: Pecci Blunt, Brandi, Colla, Montale and Quasimodo. The collection also contains photographs, files on publishing projects, writings in his own hand and printed material.<\/p>\n","protected":false},"author":5,"featured_media":25543,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[292],"tags":[],"class_list":["post-24081","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archivio_fondi-en"],"_links":{"self":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/24081","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/comments?post=24081"}],"version-history":[{"count":0,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/24081\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media\/25543"}],"wp:attachment":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media?parent=24081"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/categories?post=24081"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/tags?post=24081"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}