{"id":24075,"date":"2022-03-31T11:47:58","date_gmt":"2022-03-31T09:47:58","guid":{"rendered":"https:\/\/quadriennalediroma.org\/contemporary-artist-1905-2018-collection\/"},"modified":"2022-03-31T11:48:01","modified_gmt":"2022-03-31T09:48:01","slug":"contemporary-artist-1905-2018-collection","status":"publish","type":"post","link":"https:\/\/quadriennalediroma.org\/en\/contemporary-artist-1905-2018-collection\/","title":{"rendered":"Contemporary artist 1905-2018 collection"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Files on over thirteen thousand five hundred 20th and 21st-century artists, mostly Italian. The collection is constantly being updated. It includes correspondence, photographic material, printed material (invitations, leaflets, booklets, posters), press cuttings, curricula and short biographies.  <\/p>\n\n<p class=\"wp-block-paragraph\">AVAILABLE ONLINE<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Files on over thirteen thousand five hundred 20th and 21st-century artists, mostly Italian. The collection is constantly being updated. It includes correspondence, photographic material, printed material (invitations, leaflets, booklets, posters), press cuttings, curricula and short biographies. AVAILABLE ONLINE<\/p>\n","protected":false},"author":5,"featured_media":25541,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[292],"tags":[],"class_list":["post-24075","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archivio_fondi-en"],"_links":{"self":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/24075","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/comments?post=24075"}],"version-history":[{"count":0,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/posts\/24075\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media\/25541"}],"wp:attachment":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media?parent=24075"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/categories?post=24075"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/tags?post=24075"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}