{"id":42924,"date":"2025-10-22T17:33:23","date_gmt":"2025-10-22T15:33:23","guid":{"rendered":"https:\/\/quadriennalediroma.org\/fantastica\/"},"modified":"2025-10-29T09:47:29","modified_gmt":"2025-10-29T08:47:29","slug":"fantastica","status":"publish","type":"page","link":"https:\/\/quadriennalediroma.org\/en\/fantastica\/","title":{"rendered":"fantastica"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"42924\" class=\"elementor elementor-42924 elementor-37422\" data-elementor-post-type=\"page\">\n\t\t\t\t<div data-particle_enable=\"false\" data-particle-mobile-disabled=\"false\" class=\"elementor-element elementor-element-d3ba23b e-con-full e-flex e-con e-parent\" data-id=\"d3ba23b\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<\/div>\n\t\t<div data-particle_enable=\"false\" data-particle-mobile-disabled=\"false\" class=\"elementor-element elementor-element-650c518 e-con-full e-flex e-con e-parent\" data-id=\"650c518\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t<div data-particle_enable=\"false\" data-particle-mobile-disabled=\"false\" class=\"elementor-element elementor-element-a3279c7 e-con-full e-flex e-con e-child\" data-id=\"a3279c7\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;sticky&quot;:&quot;top&quot;,&quot;sticky_offset&quot;:140,&quot;sticky_offset_mobile&quot;:85,&quot;sticky_anchor_link_offset_mobile&quot;:0,&quot;sticky_offset_tablet&quot;:85,&quot;sticky_on&quot;:[&quot;desktop&quot;,&quot;tablet_extra&quot;,&quot;tablet&quot;,&quot;mobile&quot;],&quot;sticky_effects_offset&quot;:0,&quot;sticky_anchor_link_offset&quot;:0}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e1825c7 elementor-widget-tablet__width-auto eael-simple-menu-hamburger-align-center eael_simple_menu_hamburger_disable_selected_menu_no eael-simple-menu-link-full-width eael-hamburger--tablet elementor-widget elementor-widget-eael-simple-menu\" data-id=\"e1825c7\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;none&quot;}\" data-widget_type=\"eael-simple-menu.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<style>\n                        @media screen and (max-width: 900px) {\n                            .eael-hamburger--tablet {\n                                .eael-simple-menu-horizontal,\n                                .eael-simple-menu-vertical {\n                                    display: none;\n                                }\n                            }\n                            .eael-hamburger--tablet {\n                                .eael-simple-menu-container .eael-simple-menu-toggle {\n                                    display: block;\n                                }\n                            }\n                        }\n                    <\/style><style>\n                        @media screen and (min-width: 901px) {\n                        \/* Left aligned horizontal menus lay out with `float: left` on the\n                           items, so their list stays `block` - forcing flex here would\n                           take the items out of flow and break the row. Only centre and\n                           right aligned horizontal menus are inline-flex. *\/\n                        .elementor-element-e1825c7 .eael-simple-menu-container.eael-simple-menu--loading > ul.eael-simple-menu-horizontal,\n                        .elementor-element-e1825c7 .eael-simple-menu-container.eael-simple-menu--loading > ul.eael-simple-menu-vertical {\n                            display: block;\n                        }\n                        .elementor-element-e1825c7 .eael-simple-menu-container.eael-simple-menu--loading.eael-simple-menu-align-center {\n                            text-align: center;\n                        }\n                        .elementor-element-e1825c7 .eael-simple-menu-container.eael-simple-menu--loading.eael-simple-menu-align-right {\n                            text-align: right;\n                        }\n                        .elementor-element-e1825c7 .eael-simple-menu-container.eael-simple-menu--loading.eael-simple-menu-align-center > ul.eael-simple-menu-horizontal,\n                        .elementor-element-e1825c7 .eael-simple-menu-container.eael-simple-menu--loading.eael-simple-menu-align-right > ul.eael-simple-menu-horizontal {\n                            display: -webkit-inline-box;\n                            display: -ms-inline-flexbox;\n                            display: inline-flex;\n                        }\n                        .elementor-element-e1825c7 .eael-simple-menu-container.eael-simple-menu--loading .eael-simple-menu-toggle,\n                        .elementor-element-e1825c7 .eael-simple-menu-container.eael-simple-menu--loading .eael-simple-menu-toggle-text {\n                            display: none;\n                        }\n                        }\n                    <\/style>            <div data-hamburger-icon=\"&lt;i aria-hidden=&quot;true&quot; class=&quot;fas fa-bars&quot;&gt;&lt;\/i&gt;\" data-indicator-icon=\"\" data-dropdown-indicator-icon=\"&lt;i class=&quot;fas fa-angle-down&quot;&gt;&lt;\/i&gt;\" class=\"eael-simple-menu-container eael-simple-menu--loading eael-simple-menu-align-left eael-simple-menu--stretch eael-simple-menu-dropdown-align-center preset-1 eael-simple-menu-link-full-width\" data-hamburger-breakpoints=\"{&quot;mobile&quot;:&quot;Mobile Portrait (&gt; 415px)&quot;,&quot;tablet&quot;:&quot;Tablet Portrait (&gt; 900px)&quot;,&quot;tablet_extra&quot;:&quot;Tablet Landscape (&gt; 1200px)&quot;,&quot;desktop&quot;:&quot;Desktop (&gt; 2400px)&quot;,&quot;none&quot;:&quot;None&quot;}\" data-hamburger-device=\"tablet\">\n                <ul id=\"menu-fantastica-menu-en\" class=\"eael-simple-menu eael-simple-menu-dropdown-animate-to-top eael-simple-menu-indicator eael-hamburger-center eael-simple-menu-vertical\"><li id=\"menu-item-42942\" class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-42942\"><a href=\"#mostra\">The Exhibition<\/a><\/li>\n<li id=\"menu-item-42943\" class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-42943\"><a href=\"https:\/\/quadriennalediroma.org\/fantastica-sponsor-e-sostenitori\/\">Sponsor and supporters<\/a><\/li>\n<li id=\"menu-item-42944\" class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-42944\"><a href=\"#sezioni\">Exhibition sections<\/a><\/li>\n<li id=\"menu-item-42945\" class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-42945\"><a href=\"#artisti\">all the artists of &#8220;Fantastica&#8221;<\/a><\/li>\n<li id=\"menu-item-42946\" class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-42946\"><a href=\"#orari\">opening hours<\/a><\/li>\n<li id=\"menu-item-42947\" class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-42947\"><a href=\"#biglietti\">tickets<\/a><\/li>\n<\/ul>                <button class=\"eael-simple-menu-toggle\">\n                    <span class=\"sr-only \">Hamburger Toggle Menu<\/span>\n                    <i aria-hidden=\"true\" class=\"fas fa-bars\"><\/i>                <\/button>\n            <\/div>\n            \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div data-particle_enable=\"false\" data-particle-mobile-disabled=\"false\" class=\"elementor-element elementor-element-deb61a7 e-con-full e-flex e-con e-child\" data-id=\"deb61a7\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-64a548f elementor-widget elementor-widget-heading\" data-id=\"64a548f\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"mostra\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">the exhibition<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d49e969 elementor-widget elementor-widget-text-editor\" data-id=\"d49e969\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><i>Fantastica<\/i> explores Italian art from the first twenty-five years of the 21<sup>st<\/sup> century through the works of fifty-four male and female artists born between the 1960s and the late 1990s. Each was invited to follow one of five curatorial paths identified by <strong>Luca Massimo Barbero, Francesco Bonami, Emanuela Mazzonis di Pralafera, Francesco Stocchi, and Alessandra Troncone<\/strong>.<\/p>\n<p>In Barbero\u2019s section, the thematic starting point is self-portraiture\u2014specifically, the possibility of choosing how we represent ourselves or what to be represented by. The interest lies not so much in the myth of Narcissus, but rather in Jean Cocteau\u2019s <i>Orpheus<\/i>, where the mirror becomes not a physical object that reflects an image, but a threshold between two communicating worlds.<\/p>\n<p>For Bonami, independence and autonomy are defining characteristics of the generation at hand. Each artist is tethered to a singular identity, connected with many others, but without the need to belong to groups or trends. <i>A room of one\u2019s own<\/i>, titled after Virginia Woolf\u2019s essay, serves both as a manifesto and a guiding concept for the set-up of his section.<\/p>\n<p>Mazzonis di Pralafera focuses on photography and the way it is used in contemporary art. Here, the common thread is the awareness that this medium is no longer a representation of reality, but a revelation. Its value and meaning continually shift toward new and ingenious expressive possibilities.<\/p>\n<p>Stocchi constructs a vision of collective procedural autarky, restoring the centrality of the artist not only in the creation of the work, but also in the design of the exhibition space\u2014intended to welcome and captivate the public.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Troncone invites reflection on contemporary narratives of the human and non-human body, drawing from myth, science, and social transformation. Her selection of works encourages layered, composite visions.<\/p>\n<p>The exhibition\u2019s unifying element is the spatial design by BRH+\/Barbara Brondi &amp; Marco Rain\u00f2. A system of architectural devices defines the environments, hosts the works, and guides visitors\u2014where veils foster an osmotic relationship between the five sections rather than separating them. The visual identity created by Studio Sonnoli, led by Leonardo Sonnoli and Irene Bacchi, draws inspiration from a surrealist, fantastical universe, synthesized in the large \u2018F\u2019 that serves as the logo for this Quadriennale.<\/p>\n<p>Let us return to the title &#8211; <i>Fantastica<\/i> (meaning both \u2018fantastic\u2019 and \u2018fantasise\u2019) &#8211; in its dual role as qualifying adjective and imperative verb. Art addresses everyone, but it has always spoken to one person at a time.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1c036a4 elementor-widget elementor-widget-heading\" data-id=\"1c036a4\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"sezioni\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Exhibit sections<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1aa0125 elementor-widget elementor-widget-text-editor\" data-id=\"1aa0125\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h5><span style=\"color: #ff0000;\"><b>My image is what\u00a0I choose to be represented by\u2014a self-portrait.<br \/>\n<\/b><b>Food, cats, gyms, myself, travels, and various trinkets<\/b><\/span><\/h5>\n<p>curated by <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/quadriennalediroma.org\/en\/luca-massimo-barbero\/\"><strong>Luca Massimo Barbero<\/strong><\/a><\/span><\/p>\n<p>The self-portrait here is both a pretext and an enigma. The<span class=\"Apple-converted-space\">\u00a0 <\/span>(author) reveals themselves through their actions, yet remains outside of themselves. Thirteen artists spanning three generations chart a course that moves between front and back, much like the double-sided panels that open the exhibition, inspired by a rare private work by Lucio Fontana. \u2018<i>Io sono un santo\u2019<\/i> (I am a saint), says the front; \u2018<i>Io sono una carogna\u2019<\/i> (I am a skank), says the back.<\/p>\n<p>The first room begins the path with a direct confrontation between gesture and identity, frontstage and backdrop, initiating a reflection on the artwork as a space where the artist takes a stand\u2014or withdraws. From here unfolds a sequence of largely unseen works, presenting contemporary Italian painting in all its diversity and contrast. It traverses the loquaciousness of pictorial language and its ambiguities, even stepping\u2014without declaring it\u2014over the threshold of the work through which the artist allows themselves to be represented.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>The intermediate room exposes you to the mystery of musical concept and composition. Before the close, an unexpected passage opens a \u2018fissure,\u2019 preparing you for a final vision where time suspends and the gaze becomes long, silent, and continuous. This is a subtle dialogue between sometimes polymorphous, opposing, or contradictory subjectivities, who share with the public a vision of their work as it defines itself over time, amidst differences in gesture, material, and thought. It is an artistic practice that crosses the shifting terrain of representation and identity. Ultimately, in these rooms, one isn\u2019t seeking a reflection, but a gentler breath\u2014the possibility of truly seeing, even beyond oneself.<\/p>\n<p>&nbsp;<\/p>\n<h5><span style=\"color: #ff0000;\"><b>Memory full.<br \/>\n<\/b><b>A room of one\u2019s own<\/b><\/span><\/h5>\n<p>curated by <span style=\"color: #ff0000;\"><strong>Francesco Bonami<\/strong><\/span><\/p>\n<p>I didn\u2019t want to think of a theme that would unite the artists I selected, other than their independence and autonomy. It is up to audiences to enjoy and take on the task\u2014not the obligation\u2014of finding real or imaginary connections among the various artists, or perhaps finding none at all, confirming the autonomy or perhaps the insularity of each of them. I chose artists I had never worked with before, artists who had never participated in the Quadriennale, artists under the age of fifty, and artists who are still alive. There is no common thread or apparent elective affinity between these artists, yet in all of them there is a need to define what Virginia Woolf was looking for: an invisible room of one\u2019s own. A world within countless other worlds. A story intertwined with countless other stories. Everyone is somehow trying to disconnect from a perpetually connected, eternally informed reality that is constantly drained of the intimacy necessary to construct or deconstruct one\u2019s present identity. In their own way, each of them says or tries to say, \u201cI am here.\u201d Here, the word \u2018I\u2019 does not represent a form of domination, but rather a synthesis of everything, beyond gender, ethnicity, nationality and social class. \u201cI, like you, am I.\u201d Thus, by recognising ourselves as simple and autonomous \u2018I\u2019s, we can respect all other \u2018I\u2019s. <i>Ubuntu<\/i>! Which in the Bantu language means \u2018I am because you are.\u2019<\/p>\n<p>&nbsp;<\/p>\n<h5><span style=\"color: #ff0000;\"><b>The Age of Images<\/b><\/span><\/h5>\n<p>curated by <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/quadriennalediroma.org\/en\/emanuela-mazzonis-di-pralafera\/\"><strong>Emanuela Mazzonis di Pralafera<\/strong><\/a><\/span><\/p>\n<p>How does art respond to the deluge of photos, selfies, memes, screenshots, GIFs, Reels, and Stories that overwhelm our gaze? This section explores the role of images and the evolution of photography in Italy from 2000 to 2025. Eleven artists from different generations demonstrate the versatility of the photographic medium and investigate the value and responsibility of images. How far can we trust what we see? Why are we so dependent on images that are increasingly less about passive observation and more about experiencing and sharing as a \u2018social\u2019 act? The exhibition offers a pause from this uncontrollable flow; here, the works seek to reveal rather than merely reproduce. Photography moves away from its liturgy of representation and begins a dialogue with other art forms, breaking out of the frame to unveil its truest, hidden meaning to our gaze. The exhibition analyses the power photography still holds to make the invisible visible and prompt reflection on what lies behind images, rather than simply observing them.<\/p>\n<p>&nbsp;<\/p>\n<h5><b><span style=\"color: #ff0000;\">Senza titolo<\/span><\/b><\/h5>\n<p>a cura di <span style=\"color: #ff0000;\"><b><a style=\"color: #ff0000;\" href=\"https:\/\/quadriennalediroma.org\/en\/francesco-stocchi\/\"><span class=\"curatorlink\">Francesco Stocchi<\/span><\/a><\/b><\/span><\/p>\n<p>The <i>Exposition Internationale du Surr\u00e9alisme<\/i>, which began in Paris a century ago, in 1925, reached its peak in 1938 with a spectacular exhibition led by Andr\u00e9 Breton and Paul \u00c9luard. Marcel Duchamp served as creator and mediator, supported by Max Ernst and Salvador Dal\u00ed as technical consultants, Man Ray for the lighting, and Wolfgang Paalen for the set-up. Challenging the traditional notion of artwork and bringing art into the tangible world, the Surrealists transformed the exhibition space into an immersive experience that anticipated contemporary installations, marking a decisive milestone in the history of exhibition-making.<br \/>\nAt a time of widespread reflection on the form and responsibilities cultural institutions are expected to assume, there arises a need to revisit the paradigms consolidated over recent decades through a tautological exhibition that constitutes itself in the act of its own making\u2014an exhibition without a title, deliberately lacking the thematic anchor typical of collective shows, where the aim is not so much to illustrate or develop a concept, but to configure itself as a collective creative act.<br \/>\nHaving convened on several occasions, the artists and curator embarked on an unprecedented process: to imagine, develop, and oversee every phase of the exhibition.<span class=\"Apple-converted-space\"><br \/>\n<\/span>Just as the 1938 <i>Exposition Internationale du Surr\u00e9alisme<\/i> represented the possibility of radically rethinking the relationship between art, space, and the public, <strong><i>Untitled<\/i><\/strong> presents itself as an experimental laboratory for new modes of artistic production, exchange, and engagement. It seeks to reclaim the agency of artists and reaffirm their role as a world-builder, placing emphasis on imagination, autonomy, and creative responsibility.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<h5><span style=\"color: #ff0000;\"><b>The Unfinished Body<\/b><\/span><\/h5>\n<p>curated by <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/quadriennalediroma.org\/en\/alessandra-troncone\/\"><strong>Alessandra Troncone<\/strong><\/a><\/span><\/p>\n<p>This exhibition features artists who explore the possible narratives of the contemporary body, understood broadly to encompass both human and non-human forms. Torn between an \u2018embodied,\u2019 material, and tangible dimension and its existence as \u2018code,\u2019 the body is presented as a subject in continuous transformation. Therefore, the title refers to the concept of incompleteness as a state of perpetual transition rather than imperfection, emphasising openness and permeability\u2014qualities that suggest new ways of relating to others and to otherness.<\/p>\n<p>Taking as its ideal starting point the steady progression of genetic research over recent decades, with attention to phenomena of mutation and hybridisation, <i>The Unfinished Body <\/i>asks how much biological heritage truly defines who we are. It intertwines myths of the past with futuristic visions, opening the imaginative power of art to dream about what we might become through the eyes of artists exhibiting at the Art Quadriennale for the first time.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6b4024b elementor-widget elementor-widget-heading\" data-id=\"6b4024b\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"artisti\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">The artists of \"Fantastica\"<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-33f35ef elementor-widget elementor-widget-text-editor\" data-id=\"33f35ef\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"s9\"><span class=\"s6\">1. <\/span><b><span class=\"s7\">Eleonora<\/span> <span class=\"s7\">Agostini<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Mirano<\/span> <span class=\"s8\">(Ve)<\/span> <span class=\"s8\">1991. <\/span>Lives and works in London (selected by Emanuela Mazzonis di Pralafera)<\/div><div class=\"s10\"><span class=\"s6\">2. <\/span><b><span class=\"s7\">Camilla<\/span> <span class=\"s7\">Alberti<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Milan<\/span>\u00a0<span class=\"s8\">1994. <\/span>Lives and works in Milan (selected by Alessandra Troncone)<\/div><div class=\"s10\"><span class=\"s6\">3. <\/span><b><span class=\"s7\">Friedrich<\/span> <span class=\"s7\">Andreoni<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Pesaro<\/span> <span class=\"s8\">1995. <\/span>Lives and works in Berlin (selected by Francesco Bonami)<\/div><div class=\"s10\"><span class=\"s6\">4. <\/span><b><span class=\"s7\">Micol<\/span> <span class=\"s7\">Assa\u00ebl<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Rome<\/span>\u00a0<span class=\"s8\">1979. <\/span>Lives and works in Rome and Greece (selected by Francesco Stocchi)<\/div><div class=\"s10\"><span class=\"s6\">5. <\/span><b><span class=\"s7\">Jacopo<\/span> <span class=\"s7\">Benassi<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">La<\/span> <span class=\"s8\">Spezia<\/span> <span class=\"s8\">1970. <\/span>Lives and works in La Spezia (selected by Emanuela Mazzonis di Pralafera)<\/div><div class=\"s10\"><span class=\"s6\">6. <\/span><b><span class=\"s7\">Luca<\/span> <span class=\"s7\">Bertolo<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Milan<\/span>\u00a0<span class=\"s8\">1968.<\/span> Lives and works in Serravezza (Lu) (selected by Francesco Stocchi)<\/div><div class=\"s11\"><span class=\"s6\">7. <\/span><b><span class=\"s7\">Paolo<\/span> <span class=\"s7\">Bini<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Battipaglia<\/span> <span class=\"s8\">(Sa)<\/span> <span class=\"s8\">1984. <\/span>Lives and works in Montecorvino Pugliano (Sa) (selected by Luca Massimo Barbero)<\/div><div class=\"s9\"><span class=\"s6\">8. <\/span><b><span class=\"s7\">Lupo<\/span> <span class=\"s7\">Borgonovo<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Milan<\/span>\u00a0<span class=\"s8\">1985. <\/span>Lives and works in Milan (selected by Francesco Bonami)<\/div><div class=\"s10\"><span class=\"s6\">9. <\/span><b><span class=\"s7\">Andrea<\/span> <span class=\"s7\">Camiolo<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Leonforte<\/span> <span class=\"s8\">(En)<\/span> <span class=\"s8\">1998. <\/span>Lives and works in Turin (selected by Emanuela Mazzonis di Pralafera)<\/div><div class=\"s12\"><span class=\"s6\">10. <\/span><b><span class=\"s7\">Gianni<\/span> <span class=\"s7\">Caravaggio<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Rocca<\/span> <span class=\"s8\">San Giovanni<\/span> <span class=\"s8\">(<\/span><span class=\"s8\">Ch<\/span><span class=\"s8\">)<\/span> <span class=\"s8\">1968. <\/span>Lives and works in Milan and Sindelfingen (Germany) (selected by Luca Massimo Barbero)<\/div><div class=\"s14\"><span class=\"s13\">11. <\/span><b><span class=\"s7\">Roberto<\/span> <span class=\"s7\">Cattivelli<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Piacenza<\/span> <span class=\"s8\">1979.<\/span> Lives and works in Piacenza (selected by Francesco Bonami)<\/div><div class=\"s15\"><span class=\"s13\">12. <\/span><b><span class=\"s7\">Giulia<\/span> <span class=\"s7\">Cenci<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Cortona<\/span> <span class=\"s8\">(Ar)<\/span> <span class=\"s8\">1988. <\/span>Lives and works in Tuscany and Amsterdam (selected by Francesco Bonami)<\/div><div class=\"s15\"><span class=\"s13\">13. <\/span><b><span class=\"s7\">Diego<\/span> <span class=\"s7\">Cibelli<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Naples<\/span>\u00a0<span class=\"s8\">1987. <\/span>Lives and works in Naples (selected by Alessandra Troncone)<\/div><div class=\"s15\"><span class=\"s13\">14. <\/span><b><span class=\"s7\">Adelaide<\/span> <span class=\"s7\">Cioni<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Bologna<\/span> <span class=\"s8\">1976. <\/span>Lives and works in Spoleto (selected by Francesco Stocchi)<\/div><div class=\"s15\"><span class=\"s13\">15. <\/span><b><span class=\"s7\">Siro<\/span> <span class=\"s7\">Cugusi<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Nuoro<\/span> <span class=\"s8\">1980.<\/span> Lives and works in Sardinia and New York (selected by Luca Massimo Barbero)\u00a0<\/div><div class=\"s15\"><span class=\"s13\">16. <\/span><b><span class=\"s7\">Cecilia<\/span> <span class=\"s7\">De<\/span> <span class=\"s7\">Nisco<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Parma<\/span> <span class=\"s8\">1997.<\/span> Lives and works in Vienna (selected by Francesco Bonami)<\/div><div class=\"s15\"><span class=\"s13\">17. <\/span><b><span class=\"s7\">Roberto<\/span> <span class=\"s7\">de<\/span> <span class=\"s7\">Pinto<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Terlizzi<\/span> <span class=\"s8\">(<\/span><span class=\"s8\">Ba<\/span><span class=\"s8\">)<\/span> <span class=\"s8\">1996. <\/span>Lives and works in Milan (selected by Luca Massimo Barbero)<\/div><div class=\"s15\"><span class=\"s13\">18. <\/span><b><span class=\"s7\">Antonio<\/span> <span class=\"s7\">Della<\/span> <span class=\"s7\">Guardia<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Salerno<\/span> <span class=\"s8\">1990. <\/span>Lives and works in Naples (selected by Alessandra Troncone)<\/div><div class=\"s15\"><span class=\"s13\">19. <\/span><strong><span class=\"s7\">L<\/span><span class=\"s7\">uca<\/span> <span class=\"s7\">Gioacchino<\/span> <span class=\"s7\">Di<\/span> <span class=\"s7\">Bernardo<\/span><\/strong><span class=\"s8\">,<\/span> <span class=\"s8\">Naples<\/span>\u00a0<span class=\"s8\">1991. <\/span>Lives and works in Naples (selected by Francesco Bonami)<\/div><div class=\"s15\"><span class=\"s13\">20. <\/span><b><span class=\"s7\">Federica<\/span> <span class=\"s7\">Di<\/span> <span class=\"s7\">Pietrantonio<\/span><\/b><span class=\"s8\">, <\/span><span class=\"s8\">Rome<\/span>\u00a0<span class=\"s8\">1996.<\/span> Lives and works in Rome (selected by Alessandra Troncone)<\/div><div class=\"s15\"><span class=\"s13\">21. <\/span><b><span class=\"s7\">Donato<\/span> <span class=\"s7\">Dozzy<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Rome<\/span>\u00a0<span class=\"s8\">1970.<\/span> Lives and works in Rome (selected by Luca Massimo Barbero)<\/div><div class=\"s15\"><span class=\"s13\">22. <\/span><b><span class=\"s7\">Chiara<\/span> <span class=\"s7\">Enzo<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Venice<\/span> <span class=\"s8\">1989. <\/span>Lives and works in Venice (selected by Francesco Bonami)<\/div><div class=\"s15\"><span class=\"s13\">23. <\/span><b><span class=\"s7\">Matteo<\/span> <span class=\"s7\">Fato<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Pescara<\/span> <span class=\"s8\">1979. <\/span>Lives and works in Pescara (selected by Luca Massimo Barbero)<\/div><div class=\"s15\"><span class=\"s13\">24. <\/span><b><span class=\"s7\">Irene<\/span> <span class=\"s7\">Fenara<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Bologna<\/span> <span class=\"s8\">1990.<\/span> Lives and works in Milan (selected by Emanuela Mazzonis di Pralafera)<\/div><div class=\"s15\"><span class=\"s13\">25. <\/span><b><span class=\"s7\">Linda<\/span> <span class=\"s7\">Fregni<\/span> <span class=\"s7\">Nagler<\/span><\/b><span class=\"s8\">,<\/span> Stockholm 1976. Lives and works in Milan (selected by Emanuela Mazzonis di Pralafera)<\/div><div class=\"s15\"><span class=\"s13\">26. <\/span><b><span class=\"s7\">Emiliano<\/span> <span class=\"s7\">Furia<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Romano<\/span> <span class=\"s8\">di<\/span> <span class=\"s8\">Lombardia<\/span> <span class=\"s8\">(<\/span><span class=\"s8\">Bg<\/span><span class=\"s8\">)<\/span> <span class=\"s8\">1991. <\/span>Lives and works in Milan (selected by Francesco Bonami)<\/div><div class=\"s15\"><span class=\"s13\">27. <\/span><b><span class=\"s7\">Valentina<\/span> <span class=\"s7\">Furian<\/span><\/b><span class=\"s8\">,<\/span> Venice 1989. Lives and works in Bologna (selected by Alessandra Troncone)<\/div><div class=\"s15\"><span class=\"s13\">28. <\/span><b><span class=\"s7\">Martino<\/span> <span class=\"s7\">Gamper<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Merano<\/span> <span class=\"s8\">(<\/span><span class=\"s8\">Bz<\/span><span class=\"s8\">)<\/span> <span class=\"s8\">1971.<\/span> Lives and works in London (selected by Francesco Stocchi)<\/div><div class=\"s15\"><span class=\"s13\">29. <\/span><b><span class=\"s7\">Teresa<\/span> <span class=\"s7\">Giannico<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Bari<\/span> <span class=\"s8\">1985.<\/span> Lives and works in Milan (selected by Emanuela Mazzonis di Pralafera)<\/div><div class=\"s15\"><span class=\"s13\">30. <\/span><b><span class=\"s7\">Emilio<\/span> <span class=\"s7\">Gola<\/span><\/b><span class=\"s8\">, <\/span>Milan, 1994. Lives and works in Milan (selected by Luca Massimo Barbero)<\/div><div class=\"s15\"><span class=\"s13\">31. <\/span><b><span class=\"s7\">Massimo<\/span> <span class=\"s7\">Grimaldi<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Taranto<\/span> <span class=\"s8\">1974.<\/span> Lives and works in Milan (selected by Emanuela Mazzonis di Pralafera)<\/div><div class=\"s15\"><span class=\"s13\">32. <\/span><b><span class=\"s7\">Francesco<\/span> <span class=\"s7\">Jodice<\/span><\/b><span class=\"s8\">,<\/span> Naples, 1967. Lives and works in Milan (selected by Emanuela Mazzonis di Pralafera)<\/div><div class=\"s15\"><span class=\"s13\">33. <\/span><b><span class=\"s7\">Luisa<\/span> <span class=\"s7\">Lambri<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Como<\/span> <span class=\"s8\">1969.<\/span> Lives and works in Milan (selected by Luca Massimo Barbero)<\/div><div class=\"s15\"><span class=\"s13\">34. <\/span><b><span class=\"s7\">Iva<\/span> <span class=\"s7\">Lulashi<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Tirana<\/span> <span class=\"s8\">(Albania)<\/span> <span class=\"s8\">1988. <\/span>Lives and works in Milan (selected by Alessandra Troncone)<\/div><div class=\"s16\"><span class=\"s6\">35. <\/span><b><span class=\"s7\">Luca<\/span> <span class=\"s7\">Marignoni<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Cles<\/span> <span class=\"s8\">(Tn)<\/span> <span class=\"s8\">1989. <\/span>Lives and works in Venice and Smarano di Predaia (Tn) (selected by Luca Massimo Barbero)<\/div><div class=\"s14\"><span class=\"s13\">36. <\/span><b><span class=\"s7\">Valerio<\/span> <span class=\"s7\">Nicolai<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Gorizia<\/span> <span class=\"s8\">1988.<\/span> Lives and works in Milan (selected by Francesco Stocchi)<\/div><div class=\"s15\"><span class=\"s13\">37. <\/span><b><span class=\"s7\">Lul\u00f9<\/span> <span class=\"s7\">Nuti<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Levallois-Perret<\/span> <span class=\"s8\">(France) 1988. Lives and works in Rome (selected by Francesco Stocchi)<\/span><\/div><div class=\"s15\"><span class=\"s13\">38. <\/span><b><span class=\"s7\">Roberta<\/span> <span class=\"s7\">Orio<\/span><\/b><span class=\"s8\">,<\/span> Venice 1966. Lives and works in Venice (selected by Luca Massimo Barbero)<\/div><div class=\"s15\"><span class=\"s13\">39. <\/span><b><span class=\"s7\">Giovanni<\/span> <span class=\"s7\">Ozzola<\/span><\/b><span class=\"s8\">,<\/span> Florence 1982. Lives and works in Tenerife (selected by Emanuela Mazzonis di Pralafera<\/div><div class=\"s15\"><span class=\"s13\">40. <\/span><b><span class=\"s7\">Giulia<\/span> <span class=\"s7\">Parlato<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Palermo<\/span> <span class=\"s8\">1993.<\/span> Lives and works in Rome (selected by Emanuela Mazzonis di Pralafera)<\/div><div class=\"s15\"><span class=\"s13\">41. <\/span><b><span class=\"s7\">Jem<\/span> <span class=\"s7\">Perucchini<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Tekeze<\/span> <span class=\"s8\">(Ethiopia) 1995. Lives and works in Milan (selected by Francesco Bonami)<\/span><\/div><div class=\"s15\"><span class=\"s13\">42. <\/span><b><span class=\"s7\">Roberto<\/span> <span class=\"s7\">Pugliese<\/span><\/b><span class=\"s8\">, <\/span>Naples 1982. Lives and works in Naples (selected by Alessandra Troncone)<\/div><div class=\"s15\"><span class=\"s13\">43. <\/span><b><span class=\"s7\">Agnes<\/span> <span class=\"s7\">Questionmark<\/span><\/b><span class=\"s8\">, <\/span>Rome 1995. Lives and works in New York and Rome (selected by Alessandra Troncone)<\/div><div class=\"s15\"><span class=\"s13\">44. <\/span><b><span class=\"s7\">Pietro<\/span> <span class=\"s7\">Roccasalva<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Modica<\/span> <span class=\"s8\">1970.<\/span> Lives and works in Milan (selected by Francesco Stocchi)<\/div><div class=\"s15\"><span class=\"s13\">45. <\/span><b><span class=\"s7\">Runo<\/span> <\/b><span class=\"s7\"><b>B<\/b>,<\/span> <span class=\"s7\">Jiangsu<\/span> <span class=\"s8\"><span class=\"s8\">(<\/span><\/span>China) 1993. Lives and works in Venice and Faenza (Ra) (selected by Luca Massimo Barbero)<\/div><div class=\"s15\"><span class=\"s13\">46. <\/span><b><span class=\"s7\">Arcangelo<\/span> <span class=\"s7\">Sassolino<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Vicenza<\/span> <span class=\"s8\">1967.<\/span> Lives and works in Vicenza (selected by Francesco Stocchi)<\/div><div class=\"s15\"><span class=\"s13\">47. <\/span><b><span class=\"s7\">Beatrice<\/span> <span class=\"s7\">Scaccia<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Frosinone<\/span> <span class=\"s8\">1978.<\/span> Lives and works in New York (selected by Francesco Bonami)<\/div><div class=\"s17\"><span class=\"s6\">48. <\/span><b><span class=\"s7\">Alessandro<\/span> <span class=\"s7\">Sciarroni<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">San<\/span> <span class=\"s8\">Benedetto<\/span> <span class=\"s8\">del<\/span> <span class=\"s8\">Tronto<\/span> <span class=\"s8\">1976. <\/span>Lives and works in Rome and San Benedetto del Tronto (selected by Francesco Stocchi)<\/div><div class=\"s14\"><span class=\"s13\">49. <\/span><b><span class=\"s7\">Marta<\/span> <span class=\"s7\">Spagnoli<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Verona<\/span> <span class=\"s8\">1994.<\/span> <span class=\"s8\">VLives and works in Venice (selected by Luca Massimo Barbero)<\/span><\/div><div class=\"s15\"><span class=\"s13\">50. <\/span><b><span class=\"s7\">Davide<\/span> <span class=\"s7\">Tranchina<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Bologna<\/span> <span class=\"s8\">1972.<\/span> Lives and works in Bologna (selected by Emanuela Mazzonis di Pralafera)<\/div><div class=\"s18\"><span class=\"s6\">51. <\/span><b><span class=\"s7\">Emilio<\/span> <span class=\"s7\">Vavarella<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Monfalcone<\/span> <span class=\"s8\">(Go)<\/span> <span class=\"s8\">1989.<\/span> Lives and works in the United States and Italy (selected by Alessandra Troncone)<\/div><div class=\"s19\"><span class=\"s6\">52. <\/span><span class=\"s7\"><b>Vedovamazzei<\/b><\/span><span class=\"s8\">,<\/span> an artistic duo formed in Milan in 1991, composed of Stella Scala (Naples, 1964) and Simone Crispino (Naples, 1962). The artists live and work in Milan (selected by Luca Massimo Barbero)<\/div><div class=\"s20\"><span class=\"s13\">53. <\/span><b><span class=\"s7\">Lorenzo<\/span> <span class=\"s7\">Vitturi<\/span><\/b><span class=\"s8\">,<\/span> Venice 1980. Lives and works in Venice and London (selected by Francesco Bonami)<\/div><div class=\"s15\"><span class=\"s13\">54. <\/span><b><span class=\"s7\">Shafei<\/span> <span class=\"s7\">Xia<\/span><\/b><span class=\"s8\">,<\/span> <span class=\"s8\">Zhejiang<\/span> <span class=\"s8\">(China) 1989. Lives and works in Bologna (selected by Francesco Bonami)<\/span><\/div><div>\u00a0<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-df9a185 elementor-widget elementor-widget-heading\" data-id=\"df9a185\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"orari\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Exhibition Opening Hours<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b0d9596 elementor-widget elementor-widget-text-editor\" data-id=\"b0d9596\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Tuesday to Thursday: 10:00 am \u2013 8:00 pm<br \/>Friday: 10:00 am \u2013 10:00 pm<br \/>Saturday: 10:00 am \u2013 8:00 pm<\/p><p>Sunday: 10:00 am \u2013 8:00 pm<\/p><p>Entrance is allowed up to one hour before closing<\/p><p>Closed on Monday<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-11d43d0 elementor-widget elementor-widget-heading\" data-id=\"11d43d0\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"biglietti\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Tickets<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-461df34 elementor-widget elementor-widget-button\" data-id=\"461df34\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/ticketing.coopculture.it\/event\/6E17CB89-DADC-A42F-6604-01998F2D1F81\" target=\"_blank\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">BUY TICKETS<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-302c02b elementor-widget elementor-widget-text-editor\" data-id=\"302c02b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>The ticket for <em>Fantastica. 18th Quadriennale d\u2019Arte<\/em> also grants access to <strong>The Young and the Masters: the 1935 Quadriennale<\/strong><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6d69b67 elementor-widget elementor-widget-text-editor\" data-id=\"6d69b67\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong><span style=\"color: #ff0000;\">Prices<\/span><br \/><\/strong>Full price: \u20ac12.50<br \/>Reduced price: \u20ac10.00<br \/>Children aged 7\u201318: \u20ac6.00<br \/>Guided tours in Italian by CoopCulture: \u20ac4.00<\/p><p><strong><span style=\"color: #ff0000;\">Reduced prices for<\/span><br \/><\/strong> <span class=\"s24\">\u2022 <\/span>young people under 26 years<br \/><span class=\"s24\">\u2022 <\/span>adults over 65 years old<br \/><span class=\"s24\">\u2022 <\/span>teachers in activity on presentation of the institute of origin, excluding university professors\u00a0<br \/><span class=\"s24\">\u2022 <\/span>groups with reservation required (min 10 &#8211; max 25 people)\u00a0<br \/><span class=\"s24\">\u2022 <\/span>conventions<br \/><span class=\"s24\">\u2022 <\/span>forces of law and order and the military on producing an ID<\/p><p><strong><span style=\"color: #ff0000;\">Free Admission for<\/span><\/strong><br \/><span class=\"s24\">\u2022 <\/span>children under 7<br \/><span class=\"s24\">\u2022 <\/span>1 escort for each group booked<br \/><span class=\"s24\">\u2022 <\/span>1 companion for every 10 students<br \/><span class=\"s24\">\u2022 <\/span>invalid and person accompanying<br \/><span class=\"s24\">\u2022 <\/span>tourist guides<br \/><span class=\"s24\">\u2022 <\/span>tour leaders<br \/><span class=\"s24\">\u2022 <\/span>interpreters accompanying the guides<br \/><span class=\"s24\">\u2022 <\/span>ICOM and ICROM card holders<br \/><span class=\"s24\">\u2022 <\/span>PER Card Members Palazzo Esposizioni<\/p><p><strong><span style=\"color: #ff0000;\">Groups and Schools<\/span><br \/><\/strong><span class=\"s24\">\u2022 <\/span>From Tuesday to Friday schools \u20ac 4,00 per student<br \/><span class=\"s24\">\u2022 <\/span>From Tuesday to Friday groups \u20ac 10,00 per person<br \/><span class=\"s24\">\u2022 <\/span>Saturday Sunday and holidays groups \u20ac 12,50 per person<br \/><span class=\"s24\">\u2022 <\/span>Reservation required for groups \u20ac 30,00 email: <a href=\"mailto:edu@coopculture.it\">edu@coopculture.it<\/a><br \/><span class=\"s24\">\u2022 <\/span>Compulsory booking schools \u20ac 20,00 (min 10 max 25 people) email: <a href=\"mailto:edu@coopculture.it\">edu@coopculture.it<\/a><br \/><span class=\"s24\">\u2022 <\/span>Guided tours for groups and schools with reservation required<br \/><span class=\"s24\">\u2022 <\/span>Groups \u20ac 100,00 (minimum 10 \u2014 maximum 25 people) email: <a href=\"mailto:edu@coopculture.it\">edu@coopculture.it<\/a><br \/><span class=\"s24\">\u2022 <\/span>Schools \u20ac 80,00 (minimum 10 \u2014 maximum 25 students) email: <a href=\"mailto:edu@coopculture.it\">edu@coopculture.it<\/a><br \/><span class=\"s24\">\u2022 <\/span>SECONDARY SCHOOLS. Activities by CoopCulture<br \/>Schools: \u20ac80.00 per class group + \u20ac4.00 exhibition entry per students <br \/>School offer \u20ac70.00 for classes booking within the first month of the exhibition or taking part in two educational service activities organized by CoopCulture, email: <a href=\"mailto:edu@coopculture.it\">edu@coopculture.it<\/a><\/p><p><strong><span style=\"color: #ff0000;\">Press reduced price<\/span><br \/><\/strong>\u20ac 7,00<br \/>Journalists with regular license of the National Order (professionals, pratictioners, journalists). For journalists requiring accreditment for service reasons admission is free and you need to send a request to <a href=\"mailto:ufficio.stampa@palaexpo.it\">ufficio.stampa@palaexpo.it<\/a><\/p><p><strong><span style=\"color: #ff0000;\">Member&#8217;s guest<\/span><br \/><\/strong>\u20ac 9,00<\/p><p><strong><span style=\"color: #ff0000;\">University Students, Researchers, and PhD Students (Rome universities only)<\/span><br \/><\/strong>On Fridays and Saturdays, after 5:00 pm until the box office closes \u20ac 4,00<\/p><p><strong><span style=\"color: #ff0000;\">First Wednesday of the Month<\/span><br \/><\/strong>Free entry for under-30s, from 2:00 PM until closing<\/p><p><span style=\"color: #000000;\"><strong><span style=\"color: #ff0000;\">Partner Organizations<\/span> (<a style=\"color: #000000;\" href=\"https:\/\/www.palazzoesposizioniroma.it\/mostra\/18a-quadriennale-d-arte-fantastica\">see full list here<\/a>)<\/strong><\/span><br \/><span class=\"s24\">\u2022 <\/span>10% discount on exhibition merchandise and catalogs purchased at the bookshop for all Ali \u2013 Associazione Lavoratori Intesa Sanpaolo members who present their ALI membership card;<br \/><span class=\"s24\">\u2022 <\/span>Discount on guided tours of the exhibition for all Ali \u2013 Associazione Lavoratori Intesa Sanpaolo members who present their ALI membership card;<br \/><span class=\"s24\">\u2022 <\/span>Reduced admission for visitors who present their current year&#8217;s admission ticket to one of the Gallerie d&#8217;Italia venues at the exhibition ticket office.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>La Mostra Sponsor e sostenitori Le sezioni espositive Tutti gli artisti di &#8220;Fantastica&#8221; Orari Biglietteria Hamburger Toggle Menu the exhibition Fantastica explores Italian art from the first twenty-five years of the 21st century through the works of fifty-four male and female artists born between the 1960s and the late 1990s. Each was invited to follow [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":26,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-42924","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/pages\/42924","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/comments?post=42924"}],"version-history":[{"count":0,"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/pages\/42924\/revisions"}],"wp:attachment":[{"href":"https:\/\/quadriennalediroma.org\/en\/wp-json\/wp\/v2\/media?parent=42924"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}